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Links in this post may be to our affiliates; sales through affiliate links may benefit this site. Kubrick completely omits dialogue, and relies on visuals and musical to deliver one of the greatest and well known openings in film history.
Movies are a visual language. What is Pure Cinema? Furthermore, each and every frame or shot of the movie is built on top of each other, either by adding a new element to the story or providing new information.
This visual element can be aided by sound effects or music, but the dialogue itself would be excluded. The original theory of Pure Cinema was originally called Cinema Pur and coined by theorist and filmmaker Henri Chomette in the s.
They believed that cinema should returns to its original roots, where the images themselves through visual composition and movement would provide a sort of visual poetry. These early adopters Irear windowi pure cinema essay rely on visuals, in camera techniques and editing, to heighten and draw attention strictly to the visual elements.
In this short film, a series of images are superimposed or laid upon one another with stylized lighting to establish a mood or feeling. Hitchcock also prescribed to this notion of using strict visual language to further story, establish character or explore themes.
For example take note of his iconic opening scene in Rear Window. We are presented with a nearly three minute single take that contains no dialogue outside of a radio and kids playing in the distance. The camera finally settles in the protagonist apartment. He is both sweating and facing away from the window, unlike the rest of the inhabitants of the apartment building who face towards the outside world.
This both sets up the heat wave and how he has closed himself off from everyone else. The camera then focuses on his broken leg, which becomes a focal point throughout the film.
From there we move to a broken camera, again establishing his passion, a car accident, and a hint to how his injury occurred, then finally to various images of a young woman. By showing the broken camera and then revealing the image of the car accident, we understand the passion and drive of the main character.
He was willing to injure himself to get the perfect shot, his driven nature is foreshadowed, as he will do almost anything to solve the murder that happens later in the movie. No dialogue needs to be spoken, we understand who this person is and what he is willing to do by pairing these images and shots together.
This is an example of how Pure cinema works, where each shot builds off each other and provides new information or furthers the story. Again, this is all presented without the use of dialogue as a tool for exposition.
So, how does this relate to Stanley Kubrick? First, each image should build to the next one and second, every subsequent image should be telling us something new; either by giving new information or pushing the narrative forward.
A pink and amber sky towers over black mountains and a desert valley beneath.
The dawn of man is presented at literal dawn. We are showcasing possibility and the potential of the future and the hope that encompasses it. The next couple of shots are a tighter variance of the first one, wherein we focus on the mountain.
We are then inferring a passage of time, how each day bleeds into another, almost as if the inhabitants are living in a stasis, the passage of time goes on without much fanfare. This goes on for a series of shots again establishing where the location is, the sunset and then finally we shot changes to underneath the mountain, as we get closer.
We have been transported to the distant past, one without electricity, technology, or running water. In the a next series of images we are made aware of the landscape once again, how it is sparsely populated, without many living creatures both humanoid and not.Pure Cinema in Alfred Hitchock's Films Descriptive Essay An analysis of the elements of pure cinema in Alfred Hitchock's films "Rear window" and "North by Northwest".
Following essay written by Daumoun Khakpour. The “Dawn of Man” Sequence from A Space Odyssey is a sublime example of ‘Pure Cinema’. Full text of "Town Topics (Princeton), Nov.
18, " See other formats. Rear Window employs as setting a Greenwich Village courtyard seen from a single fixed position, as in a theatre. Here is played out a victim and victimiser story in which a man of (enforced) leisure, the photographer Jeff (James Stewart), accidentally stumbles on the guilty secret of another man (Raymond Burr) with whom he has more in common.
The Hitchcock Signature. Alfred Hitchcock was a fan of Pure Cinema. Pure Cinema is the telling of a story via film by using strong visuals, as opposed to lengthy dialogue, to process/further the narrative. For my money this one is it – Rear Window ().
A descriptive essay, by its very nature, is subjective, as the writer must offer an opinion about how an object looks, smells, sounds, feels etc.