Eliot declared that Pound "is more responsible for the twentieth-century revolution in poetry than is any other individual. Early in his career, Pound aroused controversy because of his aesthetic views; later, because of his political views. For the greater part of this century, however, Pound devoted his energies to advancing the art of poetry and maintaining his aesthetic standards in the midst of extreme adversity.
I am homesick after mine own kind, Oh I know that there are folk about me, friendly faces, But I am homesick after mine own kind.
The equally conservative college dismissed him after he deliberately provoked the college authorities. Smoking was forbidden, but he would smoke cigarillos in his office down the corridor from the president's.
He annoyed his landlords by entertaining friends, including women, and was forced out of one house after "[t]wo stewdents found me sharing my meagre repast with the lady—gent impersonator in my privut apartments", he told a friend.
When she was discovered the next morning by the landladies, Ida and Belle Hall, his insistence that he had slept on the floor was met with disbelief. Glad to be free of the place, he left for Europe soon after, sailing from New York in March By the end of April he was in Veniceliving over a bakery near the San Vio bridge.
The London Evening Standard called it "wild and haunting stuff, absolutely poetic, original, imaginative, passionate, and spiritual". The book was dedicated to his friend, the Philadelphia artist William Brooke Smithwho had recently died of tuberculosis.
According to modernist scholar James Knapp, Pound rejected the idea of poetry as "versified moral essay"; he wanted to focus on the individual experience, the concrete rather than the abstract. In December he published a second collection, A Quinzaine for This Yule, and after the death of a lecturer at the Regent Street Polytechnic he managed to acquire a position lecturing in the evenings, from January to Februaryon "The Development of Literature in Southern Europe".
He would wear trousers made of green billiard cloth, a pink coat, a blue shirt, a tie hand-painted by a Japanese friend, an immense sombrero, a flaming beard cut to a point, and a single, large blue earring.
No one ever presents a cape, or shakes a muleta at him without getting a charge. Through Olivia Shakespear he was introduced to her former lover W. Yeatsin Pound's view the greatest living poet.
Pound had sent Yeats a copy of A Lume Spento the previous year, before he left for Venice, and Yeats had apparently found it charming. The men became close friends, although Yeats was older by 20 years. Pound was also introduced to sculptor Henri Gaudier-Brzeskapainter Wyndham Lewis and to the cream of London's literary circle, including the poet T.
The American heiress Margaret Lanier Cravens — became a patron; after knowing him a short time she offered a large annual sum to allow him to focus on his work. Cravens killed herself inafter the pianist Walter Rummellong the object of her affection, married someone else.
She may also have been discouraged by Pound's engagement to Dorothy. It was favorably reviewed; one review said it was "full of human passion and natural magic". He loved New York but felt the city was threatened by commercialism and vulgarity, and he no longer felt at home there.
Montgomeryvisited the architects' offices almost every day to shout at them. On 22 February he sailed from New York on the R.
Mauretaniaarriving in Southampton six days later. When he returned to London in AugustA. Orageeditor of the socialist journal The New Agehired him to write a weekly column, giving him a steady income. Pound introduced her to his friends, including the poet Richard Aldingtonwhom she would marry in Before that the three of them lived in Church Walk, Kensington—Pound at no.
The museum's visitors' books show that Pound was often found during and in the Print Room examining Japanese ukiyo-esome inscribed with Japanese waka versea genre of poetry whose economy and strict conventions likely contributed to Imagist techniques of composition.
What obfuscated me was not the Italian but the crust of dead English, the sediment present in my own available vocabulary You can't go round this sort of thing.- The Explication of Ezra Pounds In a Station of the Metro'; Ezra Pounds words portray a moment frozen in time.
The poem, In a Station of the Metro,'; is a poem of imagery. Analysis of Pound’s “A Girl” In the poem ‘A girl’, Ezra Pound used two mythical characters as the leading flow of the poem. The first one was the myth of Apollo, the . Ezra Pound's Developing Ideas Often called "the poet's poet," because of his profound influence on 20th century writing in English, American poet and critic, Pound, believed that .
Ezra Pound has been called "the inventor of modern poetry in English." The verse and criticism which he produced during the early years of the twentieth century very largely determined the directions of creative writing in our time; virtually every major poet in England and America today has acknowledged his Reviews: Ezra Pound developing ideas Essay Words | 5 Pages.
Ezra Pound's Developing Ideas Often called "the poet's poet," because of his profound influence on 20th century writing in English, American poet and critic, Pound, believed that poetry was the highest of the arts.
course work Order Description EZRA POUND, “IN A STATION OF THE METRO” In this two line poem, Pound was attempting to capture a momentary image of breathtaking beauty in the way he imagined a painter would.
Write my Paper on EZRA POUND, “IN A STATION OF THE METRO” From the Poetry Foundation webpage on Billy Collins: “Dubbed.